Audience

Your audience is not one person: writing for the buying committee

Most marketing is written for one person who does not exist: the average of everyone who might read it. Real decisions are made by several people who want different things.

13 August 2026 · 8 min read
Four chairs around a meeting table, each with a different document in front of it

The persona problem

Somewhere in most marketing plans there is a persona. She is called something like Marketing Manager Maria, she is 38, she values efficiency, and she has been on that slide since 2019.

Personas were a good idea badly implemented. The intent was to stop teams writing for nobody. What actually happened is that teams started writing for one person who is the average of everybody, which is a different way of writing for nobody.

The deeper problem is not that the persona is fictional. It is that there is one of her.

Who is actually in the room

Think about the last time your own company bought something that cost real money.

Somebody wanted it. Somebody had to approve the spend. Somebody was going to have to run it. Somebody asked what happens to the existing process. Possibly somebody in finance asked a question nobody had prepared for.

That is four or five people, and research on B2B buying has been saying the same thing for years: the number of people involved in a business purchase is substantially more than one, and it grows with the value of the deal.

They are not all persuaded by the same thing. In fact they are frequently persuaded by different things, and occasionally by opposite things.

Four people, four different needs

Set aside job titles, because titles do not tell you how someone decides. What matters is what a person needs before they will move.

Some want the outcome, first line. They will decide quickly, they trust their own judgement, and preamble irritates them. Lead with what changes.

Some want the reasoning. They will not move on assertion. They want the evidence, the numbers, and the logic joined up. Give them the detail and they become your strongest advocate, because they have checked.

Some want the possibility. They are interested in what this could become rather than what it does today. Show them where it goes.

Some want to know how it fits. Who does this affect, what does it disrupt, and will the team be alright with it. They are not blocking; they are the person who has thought about the consequences.

Send one email to all four and, at best, you have written for one of them. The other three read something that did not answer their question and moved on.

What this does to how you write

The instinct is to try to satisfy everyone in one piece. Lead with the outcome, then the evidence, then the vision, then the implementation detail.

What you get is long, unfocused, and slightly unsatisfying to all four, because each of them has to wade through three sections that are not for them.

The better answer is that the facts do not change but the argument does.

The same product, the same proof points, the same truth, presented in a different order with a different emphasis for a different reader. The person who wants the outcome gets the outcome first and the evidence underneath. The person who wants the evidence gets it up front, with the outcome as the conclusion it earns.

That is not spin. It is the difference between a good salesperson and a script.

Why this rarely happens

Because it is four times the work, and nobody has four times the time.

Writing one campaign is a day. Writing four versions of it, each properly constructed for a different reader, is most of a week, and then you have to keep them all consistent as the offer changes.

So teams write the average version, and the average version underperforms in a way that never shows up clearly enough in the numbers to explain why.

This is a large part of why BraVo exists. Model each audience separately, including their empathy map and how they prefer to receive information, and the same campaign can be written properly for each of them without four times the effort. The business facts stay fixed. The argument is rebuilt for the reader.

Where to start

You do not need a tool to begin. You need to stop treating your audience as singular.

Take your next campaign and ask who actually has to say yes. Write the list. Beside each one, write what they need to hear before they will agree, and be honest that it differs.

Then look at the piece you were about to send and ask which one of them it was written for.


Model each audience properly

BraVo holds up to three audiences per brand, each with their own empathy map and communication preference.